In a post last year, I gave suggestions for books to check out if you’re a fan of Anne of Green Gables, and today, I’m recommending books for longtime Little Women fans. If you’re hoping for a book that has a similar feel, see if one of these fun vintage titles could be the right fit!

– If you love the realistic sibling dynamics, try What Katy Did by Susan Coolidge.

– If you’re a fan of sister stories and want another book with both child and young adult siblings, try Treasure for Debby by Amy Wentworth Stone.

– If you’re in the mood for a book that features the characters maturing from childhood to adulthood, try Pollyanna Grows Up by Eleanor Porter.

– If you’re on the hunt for another book featuring a heroine who longs to be a writer, try Jill’s Story by Jean Fiedler (hard to find, but worth looking for)! 

– If you’re looking for another cozy family story set in the 1800s, try The Belonging Place by Jean Little.

– If your favorite aspect of Little Women was the Jo & Laurie subplot but you want the characters to actually end up together, try the Betsy-Tacy high school books by Maud Hart Lovelace, beginning with Heaven to Betsy.

– If you’d like to read another feel-good novel about a New England family pulling together in hard times, try Winterbound by Margery Williams Bianco.

– If you’re still in the mood for Louisa May Alcott but want something less known, try her delightful Jack and Jill!

Bonus: if a chapter where the characters time-travel to visit the Little Women cast sounds good to you, check out The Time Garden by Edward Eager!

What books would you recommend to Little Women fans? Leave a comment below!

I read so many delightful books in 2023! I revisited old favorites and found some new gems to treasure. I set a goal of 100 books for the year and ended up reading 150—and that’s not even including most of the many picture books I read!

Now it’s time for the books I loved:

One of the first novels I read in 2023 ended up being one of my very favorites of the year: Seacrow Island (1964) by Astrid Lindgren. As soon as I read the description in the front of the book that called it an “unforgettable summer holiday” that’s “perfect for fans of classic stories such as Little Women and Anne of Green Gables,” I knew I would love it. It’s a charming tale of a family who heads to the Swedish seaside for the summer and end up returning in the winter! It reminded me a lot of the Penderwicks (with elements such as a poetic father, four children, a dreamy yet responsible eldest sister, a big lovable dog, some beloved rabbits, and lots of adventures)—but it also had a distinct feel of its own.

I read a couple more books in the Drina series by Jean Estoril (Drina Dances in Exile [1959] and Drina Dances in Italy [1959]), which were utterly fabulous. I have always loved books about ballet, and these are kind of like Noel Streatfeild stories with a bit more advanced writing style, and with a cast full of multifaceted characters.

Speaking of multifaceted characters, Meet the Austins (1960) by Madeleine L’Engle was a joy. Last year I read the novella prequel and enjoyed it, so I assumed I would like this one as well. It definitely exceeded my expectations! There was never a dull moment in this story of a big, opinionated family who take in an orphaned girl, attempt to thwart their uncle’s marriage, and nearly run into major trouble on a trip to the sea. One of my favorite parts was when the family’s house loses power. Evidently the feelings and details of a power outage have not changed since the 1960s!

R My Name is Rachel (2011)—about a city family moving to a farm in the 1930s—was a delight. It was a recommendation from a friend that I just loved, and it was also my first time reading Patricia Reilly Giff. Thankfully, there are plenty more Giff books out there, including Willow Run (2005), which I also read this year. Willow Run had a big plot point was left completely unresolved, but Rachel had the sweetest, most satisfying ending I read all year.

I have read a bunch of L.M. Montgomery short stories, but never before have I come across a collection as lovely as Around the Hearth (2022), edited by Joanne Lebold. One of the best in this volume was Miss Curtis Comes, which reminded me so much of stories by Elizabeth Enright or Noel Streatfeild. (So basically, if you want to experience what might have transpired if LMM had started writing big family stories in the 1950s, get a copy!) There is also a fabulous novella called By Way of the Brick Oven, which has shades of Louisa May Alcott and the Vanderbeekers.

Mitali Perkins’ Hope in the Valley (2023) was a book I’d heard so many positive things about, and to my delight, it lived up to the hype.  Set in the 1980s and featuring an endearing protagonist fighting to save a historic place, this book is beautiful and deserves to win the Newbery next month!

I devoured the Incorrigible Children of Ashton Place series this fall, which follows a governess in Victorian England who takes care of children who were raised by wolves.  Maryrose Wood’s writing is old-fashioned and humorous, and my favorites were the first book (The Mysterious Howling, 2009) and the fourth book (The Interrupted Tale, 2013).

The Secret of Tate’s Beach (1926) was another amazing book by Augusta Huiell Seaman, who wrote one of my favorites from 2022 (Mystery on Heron Shoals Island). Seaman’s mysteries are so intriguing to me, as many of them take place at seaside locales in early 20^th century (kind of like my upcoming novel, The Luminous Life of Lucy Landry)!

Other books I greatly enjoyed:

• Prairie School (1951) by Lois Lenski, a survival story in the vein of The Long Winter
• Christine of the Fourth (1949) by W.E. Eastways, a British boarding school story
• Stillmeadow Calendar (1967) by Gladys Taber, essays about Connecticut farm life
• Ribsy (1964) by Beverly Cleary—so charming and funny
• Wedding Flowers (2002) by Cynthia Rylant, the final installment in the Cobble Street Cousins chapter book series
• Little House in the Highlands (1999) by Melissa Wiley, set in late 1700s Scotland
• Village Christmas (1966) by Miss Read, a sweet holiday novella

My favorite audiobooks were A Place to Hang the Moon (2021) by Kate Albus and narrated by Polly Lee, the Gone-Away Lake series (1957-61) by Elizabeth Enright and narrated by Colleen Delany, the full-cast BBC dramatization of Ballet Shoes (1936) narrated by Rosemary Leach, and Schoolroom in the Parlor (1959) by Rebecca Caudill and narrated by Mary Sarah Agliotta.

I also read dozens of picture books this year, and a few that come to mind as especial favorites are:

• Home in the Woods (2019) by Eliza Wheeler (absolutely wonderful!)
• Sarah Mackenzie’s A Little More Beautiful (2023, illustrated by Breezy Brookshire) and While Everyone Is Sleeping (2023, illustrated by Gabrielle Grimard)
• Hello Lighthouse (2018) by Sophie Blackall
• Andrew Henry’s Meadow (1965) by Doris Bunn
• A Big Mooncake for Little Star (2018) by Grace Lin
• Goodnight, Anne (2018) by Kallie George, illustrated by Geneviève Godbout
• Blueberries for the Queen (2004) by Katherine & John Paterson, illustrated by Susan Jeffers

My absolute favorite re-reads included The Sea Is All Around (1940) by Elizabeth Enright, Mine for Keeps (1962) by Jean Little, the Mitchells series by Hilda van Stockum (1945-60), Theatre Shoes (1944) by Noel Streatfeild, Betsy in Spite of Herself (1946) by Maud Hart Lovelace, The Golden Name Day (1955) by Jennie D. Lindquist, The Penderwicks (2005) by Jeanne Birdsall (here is my review from this summer’s reading challenge), the first four Anne books by L.M. Montgomery (1908-36), and Ramona and Her Father (1977) by Beverly Cleary.

All in all, it was a fantastic reading year, and there are so many more books I’m excited to experience in 2024. One of my most anticipated reads is Rosetown Always, the finale to the Rosetown trilogy by Cynthia Rylant.

What did you enjoy reading in 2023? What are some books you’re excited about for 2024?

If you’re like me, you probably are a longtime fan of L.M. Montgomery’s Anne of Green Gables. Maybe you’re hoping for a book that has a similar feel, but you’re not sure where to look. In this post, I’m going to be sharing a few fun vintage titles that I hope will be new to you!

– If you love the strong friendship and mischievous adventures that Anne and Diana have, try Katie John by Mary Calhoun.

– If you’re a fan of the stunning imagery and nature descriptions throughout Anne, try Maggie Rose: Her Birthday Christmas by Ruth Sawyer. (Hard to find but if you can, it’s fabulous!)

– If you’re looking for another story set in Canada and written in the 20th century, try One to Grow On by Jean Little.

– If you’re in the mood for a coming-of-age story about a young woman from a small town, try Emily of Deep Valley by Maud Hart Lovelace.

– If you’re on the hunt for another episodic book where each chapter is its own mini story, try The Saturdays or The Four-Story Mistake by Elizabeth Enright.

– If your favorite aspect of AOGG was the Anne and Gilbert subplot, try Pat of Silver Bush, one of Montgomery’s lesser-known books that features a Gilbert-like hero (Jingle)!

– If you’d like to read another heartwarming story about an orphan finding a wonderful new home, try Runaway Alice by Frances Salomon Murphy.

– If you want another lengthy girls’ classic that isn’t as well-known as Anne, try What Katy Did at School by Susan Coolidge.

What books would you recommend to Anne fans? Leave a comment below!

Among the most memorable scenes in Maud Hart Lovelace’s Betsy-Tacy novel Heaven to Betsy is when Betsy Ray is given an assignment in her freshman year of high school: she has to write an essay for Rhetoricals about Puget Sound in the Pacific Northwest.

But being the flamboyant young writer she is, Betsy takes some creative liberties with her paper—and it turns into more fiction than fact as the essay blossoms into a story in which she and her classmates take a trip on the steamer Princess Victoria to Puget Sound.

I’ve been able to study some of the papers from the Maud Hart Lovelace and family papers collection that is housed at the Minnesota Historical Society, and I discovered something fascinating: the “Adventure on Puget Sound” chapter was actually inspired by a real story that Lovelace wrote, evidently in her teen years for a similar school event. It was written during the time when she signed her name as ‘Maude’ rather than Maud.

The original story that Maud wrote doesn’t differ greatly from the tale that Betsy recounts in the pages of Heaven to Betsy. A notable difference is that the real-life counterpart of Bonnie does not appear in Maud’s version. It is actually Frances (Tacy) who quotes “from the guidebook, trying to make the trip educational.”[1] Familiar sentences abound in the original version, from a mention of the girls in their “stiffly starched suits”[2] to Kathleen’s (Julia’s) dreamy line: “How Caruso must be enjoying this!”[3] The factual sections of the essay are devoted to descriptions of the opulent steamer, majestic Mt. Rainier (“the scenery grew indescribable”[4]) and plenty of elegant food available for supper, including a marvelous peach short cake that Maud (Betsy) cannot eat due to her unfortunate seasickness. (Tessie [Katie] informs Maud “with her usual lack of tact”[5] that the cake was absolutely wonderful; “an Irishman must have invented it.”[6]

All in all, the story is essentially what one would expect from reading HTB. The conclusion where they finally realize that the man onboard the steamer is Enrico Caruso—which has been Tessie’s joking prediction the entire time—is just as amusing in Maud’s original story as in Betsy’s.

There is a peculiar mystery, however, with the entire ending of the tale. About halfway down the second-to-last page, the handwriting changes from Maud’s penmanship with its upright lettering to a delicate cursive. The ending of the essay in HTB concludes with the line “‘And he ate four spring chickens,’ breathed Julia.” [7] In the original paper, it is Marion (Carney) who delivers this line, adding her customary “‘Oh, di immortalis!’” afterward [sic].[8]

It’s interesting that Marion gets the last word in the story, when the grand climax belongs to Kathleen. It is also intriguing that the mysterious cursive looks like Marion Willard’s own handwriting, which appears in the original Oktw Delta constitution (also housed in the MHL collection).

Is there a possibility that Marion helped Maud with this story and added her own ideas into the finale? Or did she take over handwriting the essay when the Maud got tired after ten and a half pages? Either way, it seems that this story was at least something of a collaborative effort!

[1] Heaven to Betsy (1945) by Maud Hart Lovelace, pg. 278

[2] “An Adventure on Puget Sound” by Maud Hart Lovelace, from the Maud Hart Lovelace and family papers collection at the Minnesota Historical Society

[3] Ibid.

[4] Ibid.

[5] Ibid.

[6] Ibid.

[7] Heaven to Betsy, pg. 280

[8] “An Adventure on Puget Sound” by Maud Hart Lovelace, from the Maud Hart Lovelace and family papers collection at the Minnesota Historical Society

As the title of this blog post explains, I’ve put together a summer reading list that includes some of my favorite vintage middle grade picks for this wonderful season. If you or your kids are in the mood for something fun, breezy, summery, and refreshingly old-fashioned – these books are for you! I’m re-reading some of these myself this summer. 🙂 Be forewarned that some of these can be hard to find, but the reward will be well worth the effort!

Gone-Away Lake (Elizabeth Enright, 1957), which features cousins exploring an old summer resort where two elderly residents still live. The sequel, Return to Gone-Away, is just as deliciously good. Check out my blog post on all of Enright’s lovely novels for even more delightful summer choices, especially Thimble Summer.

Jill’s Story (Jean Fiedler, 1965); one of my VERY favorites at age nine or so, about a 10-year-old aspiring writer whose family travels to Cape Cod for the summer. The climax – a birthday and a writing contest – is immensely satisfying.

Canadian Summer (Hilda van Stockum, 1948) is about a family who uproots to the Canadian wilderness in the post-World War II era – full of marvelous Montgomery-ish descriptions and exquisite characterization. For more info, you can read my posts here and here.

The Magic Summer (Noel Streatfeild, 1966), in which four siblings are sent to live with their eccentric great-aunt for the summer, and encounter a world of poetry, hard work, and mystery.

Jane of Lantern Hill (L.M. Montgomery, 1937). I’ve discussed this one many times on this blog before, because it’s possibly my favorite novel of all time. The story centers around Jane Stuart, who visits her father for the first time in her life one unforgettable summer. They subsequently buy a charming cottage on Prince Edward Island and all the whimsy begins.

Look Alive, Libby! (Catherine Woolley, 1962) is the charming story of a girl who has to overcome her many fears (like wild animals!) when she and her aunt go to spend the summer at a seaside cottage.

Cobblers’ Knob (Eleanore M. Jewett, 1958) was one of my favorite novels of 2019. The story centers on a brave girl who explores a supposedly haunted summer residence and makes friends with the foster child living there. The many unexpected twists kept me turning the pages!

Maggie Rose: Her Birthday Christmas (Ruth Sawyer, 1952). This one is just adorable. And incredibly well-crafted, and sweet, and poignant. Over one long summer, Maggie Rose picks all kinds of berries to sell in hopes of having a special celebration at the end of the year. Will she succeed against numerous obstacles that threaten to thwart her joyous plans?

Katie John (Mary Calhoun, 1960). Another absolute favorite from age nine or ten; an impulsive yet idealistic girl has a bunch of exciting (and humorous!) adventures in a nineteenth-century house alongside her new best friend. I think this book sparked my love of hunting down family history, because my favorite chapter was the one where Katie discovers the story of her great-aunt. The sequel, Depend on Katie John, is also terrific (I just re-read it)!

Half Magic (Edward Eager, 1954) focuses on the magical adventures that touch the lives of four children in what they thought would be a dull summer. A coin that grants them only half a wish proves more difficult than they originally suppose!

Betsy and Tacy Go Over the Big Hill (Maud Hart Lovelace, 1942) is another one of my very favorites from a young age – I think I was seven when I first read this one. It’s such a sweet story, and also perfect for young girls who will identify with Betsy and Julia’s quarrel. 🙂 The next book in the Betsy-Tacy series, Betsy and Tacy Go Downtown, is also awesome for summer (even though it’s more of a fall/winter book, LOL!) and I think I’ll re-read that one very soon!

No Children, No Pets (Marion Holland, 1957) is a book I discovered just last year, and I enjoyed it so much. The story opens when three children and their mother receive a letter informing them that they’ve inherited an old apartment house in Florida, so of course they head off to live there, with many escapades to follow!

Important note: If you like the sound of these books and know of any others in a similar vein, please leave a comment because I would LOVE to check them out! 🙂

I hope you are having a lovely spring! I am having such a good time planting a few early seeds, doing some weeding, and watching a certain chickadee gather materials for her nest. But as usual, I’m also deep in the throes of rewriting a novel (I’m at 26k), and I’m enjoying my reading as well.

With the assistance of a helpful librarian at the Kerlan Collection of the University of Minnesota Libraries, I was recently able to acquire some scans of Maud Hart Lovelace’s research materials for Emily of Deep Valley (1950), which provided an interesting window of insight into Lovelace’s method of pre-writing (at least for Emily). I’m very much fascinated by the behind-the-scenes processes of my favorite writers, which I am sure will inspire many more blog posts like this one today and this one from last year, which explores L.M. Montgomery’s possible influence on the novels of Noel Streatfeild and Margaret Sutton. That is my particular area of interest: how writers are influenced by the authors who came before them.

Speaking of scans from the Kerlan Collection, I was also able to study a letter written in 1958 by Noel Streatfeild to Elizabeth Enright, who was evidently one of her favorite authors. In this letter, Streatfeild complimented the Melendy Quartet books and wondered if perhaps the Melendy children’s father remarried after the series ended. Since this is exactly the idea that flitted through my brain the last time I read the series, I was utterly delighted by this and by the fact that Streatfeild wrote about the family as if they were real.

This example, too, fits into my niche of fascination, and leaves me with no doubt that Streatfeild was inspired by Enright when writing her own novels. Best of all, Streatfeild also mentioned how happy she was that Enright liked her books. This was perhaps the greatest discovery of all, for there are Streatfeild-esque traces in Enright’s The Four-Story Mistake (1942), in which Shakespeare-quoting Mona gets a job as a radio actress. (And the fact that Randy is an aspiring ballerina seals the deal.) Since the first Melendy book (The Saturdays) wasn’t published until 1941—and Ballet Shoes was from 1936—it’s safe to say that Streatfeild’s stage-inclined characters could have served as inspirations for the Melendy sisters.

Along similar lines is the way that Canadian author Jean Little (who sadly passed away last year) was influenced by L.M. Montgomery. My introduction to Montgomery’s Anne of Ingleside (1939), the sixth book in the Anne series and a recent re-read, was somewhat unusual. I was reading Little’s Spring Begins in March (1966), the sequel to her acclaimed Mine for Keeps (1962), and I came to the great scene where Meg’s grandmother reads aloud Anne of Ingleside. I had always steered clear of the book, thinking it sounded dull, but Little made the story sound so interesting that I had to give it a try.

I was subsequently swept up into the Ingleside world and immediately read Rainbow Valley (1919) and then Rilla of Ingleside (1921), despite repeated warnings from my older sisters that Walter died and it was Very Sad. But what made reading Rilla particularly interesting was that I had also just read another sequel of Jean Little’s: Listen for the Singing (1977), the heart-wrenching encore to From Anna (1972). The parallels between Listen for the Singing and Rilla of Ingleside are unmistakable: two Canadian wartime novels focused on a teenage girl’s coming of age alongside a brother who does not want to go to war (and yet who goes anyway, with ensuing tragedy). Since I already knew that Little had read Montgomery from that scene in Spring Begins in March, I wondered if she had modeled Anna Solden’s brother Rudi off of Walter Blythe. I suspect that it was an influence, whether consciously or not, and I hope to someday find a bit more concrete evidence to support my theory. Little was not without criticism of Montgomery—an article she wrote for Canadian Children’s Literature in 1975 confirms that—but she also praised the way Montgomery wrote her child characters.

But lest you think that Montgomery only inspired other writers and was not inspired by any herself, this is far from the case! When recently reading Longfellow’s epic poem Evangeline, I was enraptured by the Acadian tale but also enormously pleased to realize that here was where Montgomery doubtlessly found inspiration for her own prose. The tone and style and word choice convinced me, and this paragraph in her 1929 novel Magic for Marigold clinched it:

Lazarre was playing his fiddle behind the copse of young spruces back of the apple-barn—the old brown fiddle that his great-great-great-grandfather had brought from Grand Pré. Perhaps Evangeline had danced to it. Aunt Marigold had told Marigold the story of Evangeline.

But although poetry was a major source of influence for Montgomery, it was not her only inspiration. I’m fairly certain that she read Louisa May Alcott’s Little Women (1868-9)—I know I’ve read this fact somewhere but I can’t remember where at the moment—and it’s fun to note that Alcott uses the phrase “kindred spirit” twice in Little Women; the phrase that Montgomery borrowed so memorably for Anne of Green Gables. Nowadays, the words “kindred spirit” are almost synonymous with Anne and Montgomery, and I love that it was perhaps Alcott who helped to influence Montgomery’s usage of the phrase.

These are just a few of the tidbits I’ve been pondering lately—including how Maud Hart Lovelace, as mentioned at the beginning of this post, may have been inspired by Montgomery’s books—but I shall have to close now. In any event, I’ll probably return to this subject soon, because I’m finding it pretty fun to wade through all this bookish conjecture!

And speaking of bookish conjecture … I have some *very exciting* news coming up hopefully later this year, so if you’d like to be one of the first to know, make sure you’re signed up to my newsletter!

Recently Read: The Boxcar Children by Gertrude Chandler Warner, The Four-Story Mistake by Elizabeth Enright
Currently Reading: Depend on Katie John by Mary Calhoun, Nothing to Do but Stay by Carrie Young

At the close of this first month of the new year, here’s a quick update on my current books (and other things)!

What I’m reading …

I read eleven books in January to kick off 2021! Among my (new) favorites: The Anne of Green Gables Devotional by Rachel Dodge, a heartfelt read full of inspiring verses with charming illustrations; Karina Yan Glaser’s The Vanderbeekers Lost and Found, the fourth volume in the Vanderbeekers series and perhaps the most poignant yet; Best Friends by Mary Bard (1950s fun about a French girl moving to the US); Francie on the Run, the second book in Hilda van Stockum’s Bantry Bay trilogy. Rereads included Kate DiCamillo’s 20th-anniversary edition of Because of Winn-Dixie (with slightly altered text), and Jane of Lantern Hill (L.M. Montgomery), which I am having the fun of discussing with friends in a book group right now.

What I’m planning to read …

Some brand-new books just arrived in the mail, and here’s why I can’t wait to read them:

Emily’s Runaway Imagination (1961): I’m working on filling in my Beverly Cleary library, having stuck mainly to the Ramona books and her “First Love” series. I just read Mitch and Amy (1967) and liked it quite a bit, so I’m eager to read this one, a rare historical story from Cleary set in the 1920s.

The Four Graces (1946): A Little Women retelling-of-sorts set in WWII in an English village and written by D.E. Stevenson? What could be better? 🙂

Carney’s House Party (1949): I just bought this lovely two-pack that includes both Carney and Winona, two Deep Valley novels by Maud Hart Lovelace. I just read Winona’s Pony Cart for the first time last year and greatly enjoyed it, and now I’m looking forward to rereading Carney’s House Party.

L.M. Montgomery’s Short Stories, 1907-1908: Montgomery’s short stories often have such wonderful characters and situations that I end up wishing she’d lengthened them into more novels!

Two Little Women (1915): I read the second book in this trilogy in 2009 and the third in 2010, and I have finally bought myself a copy of the first book! Carolyn Wells’ writing is so breezy and fun.

Not pictured but also on my list: Jennifer Dances (1954): A 1910s-era story by Eunice Young Smith about a girl who moves to Chicago to live with aunt and takes up ballet. It sounds so sweet!

What I’m writing …

I am nearly finished with my current middle grade novel – only about 7k left to write – and then I’m going to be focusing on a revision of a middle grade manuscript I wrote for NaNoWriMo in 2018! I am so excited about it, and I’m gathering research materials and searching for inspiration!

What else I’ve been enjoying…

Scrapbooking, looking through old family photos, feeding sugar cubes to sweet ponies, listening to Annette Funicello songs and Strauss’ Annen Polka, doing writing sprints with friends, gathering quotes for an interview piece for Inside Gymnastics, watching Greta Gerwig’s Little Women, and other delightful things. I’ve also been planning this summer’s garden, buying seeds and calculating how many flower beds I’ll need. I am hoping for an early spring so that I can get a head start on my seeds, particularly the Madame Butterfly snapdragons. For the first time, I’ll be planting glorious orange nasturtiums (a flower found in Jane of Lantern Hill, as mentioned above), and I’m crossing my fingers that – unlike last year – my pink poppies will actually come to fruition!

What have you been doing to brighten the long January days? Let me know in the comments! 🙂 

Discovering a Classic

I recently reread Louisa May Alcott’s Little Women. When I first read this book two years ago, in February 2018, I immediately added it to my list of treasured favorite novels. I couldn’t put the book down once I started it, and I found the same to be true even in rereading. There’s something so compelling about this age-old classic, something that has clearly transcended the decades and continues to delight generations of readers.

When I first read the book, it was like flinging open a newly-discovered door of possibilities. After I picked it up and devoured it whole (reading the entire 180k+ word book in a week), I rushed to read its sequels (Little Men and Jo’s Boys) and found them entertaining (but not nearly as incredible as their predecessor). I hurried to watch the 1994 film, a modern classic in its own right, directed by Gillian Armstrong and full of lush sets, gorgeous costumes, and a beautiful soundtrack. I hastened to read Invincible Louisa, the 1934 Newbery medal-winning biography of Louisa May Alcott. Since then I’ve also listened to a BBC radio adaptation (which I highly recommend)!

Going back to the beginning, I tried to read Little Women when I was nearly eleven years old, and bogged down somewhere around the time that Meg goes to “Vanity Fair.” The lengthy descriptions were too long for me to get through. I wanted to love Little Women—it was such a thick, substantial volume with lovely illustrations—but it was a bit too difficult.

Fast forward to 2018, and I decided to give it another chance.  I was curious to read the book because I had just read Edward Eager’s The Time Garden, a witty story in which the contemporary characters time-travel to the world of Alcott’s characters in 1860s Concord. (I appreciated the allusions in fuller context after I’d read Little Women.)

I also had just finished reading Jack and Jill, which I also enjoyed immensely. (Little Women was not my first introduction to Alcott’s work—a heartwarming collection of Christmas short stories, gifted to me by my grandmother in 2016, was the first book of hers I ever read, followed by An Old-Fashioned Girl.)

Books like Little Women don’t come along every day, and I am endlessly glad now that I didn’t read it until I was old enough to truly appreciate the story.

Connections to Jeanne Birdsall’s Penderwicks series

The main reason that I gave the book another try is because the finale of the five-volume Penderwicks series was releasing in May 2018. “The idea of the original four Penderwick sisters came from Little Women,” Jeanne Birdsall, the author of the series, wrote on her website[1]. I was tremendously curious to find out if Jeffrey was going to marry Skye (the Jo character) or Batty (the [possibly] Amy character—more on this later). Hoping to find clues in Little Women to the outcome of my beloved series, I began reading.

I was already fairly convinced that Jeffrey would fall in love with Batty. The careful foreshadowing in the first books in the series strongly indicated this conclusion, and seemed to echo the wrap-up of Little Women. But although I liked Jeffrey and Batty as a couple, I braced myself to dislike the Laurie/Amy pairing, since everybody did. However, I was pleasantly surprised to discover that I didn’t mind that ending. Of course I would have preferred Jo to “relent and marry Laurie,” as author Maud Hart Lovelace put it so aptly[2], but because I knew the ending beforehand, I was able to appreciate the subtleties of Laurie and Amy’s relationship and their whirlwind European romance. I was less impressed by Jo’s marriage to Professor Bhaer, but I also wondered if that outcome—the Jo character marrying an older man—meant that her Penderwicks counterpart Skye would eventually marry the “older man” character of Nick Geiger. The fact that Nick showed up all of a sudden in the fourth book and staked his claim as a major character made me wonder if he would play a significant role in the series finale.

Well, I was correct about Jeffrey and Batty, but wrong about Skye and Nick. (Nick hardly appeared in The Penderwicks At Last). I recently read someone else’s theory online, suggesting that Skye’s marriage to a student from the Czech Republic was actually an even more pointed parallel to Professor Bhaer. I loved this theory, and wish that this had been explored and expanded so that we could come to know Skye’s husband as well as we know the professor. I also wish that he could have had more lines (and at least one in English).

But is it true that Skye equals Jo, and Batty equals Amy? Obviously Jeffrey is Laurie, having been cast in the role of the next door neighbor boy who is accepted into the family. Skye resembles Jo because of her status as the second-oldest sister in the family, her feisty temper, and the fact that she has the one tomboyish name in the quartet (Skye being a much different name than Rosalind, Jane, or Elizabeth [which is Batty’s full name]). Readers have pointed out that Jane is the writer in the family, the aspiring authoress with all the wild ideas and imagination, while Skye is prosaic to a fault. But it is Skye, not Jane, who rejects Jeffrey’s attentions and has issues with her youngest sister Batty—which mirror Jo’s rebuff of Laurie’s proposal and arguments with Amy.

So does this mean that Batty is Amy? I’m more inclined to link Batty to Beth—both are sweet, quiet pianists who love animals. Batty has little common with Amy, save being the youngest of four sisters and eventually winding up with the Jeffrey/Laurie character. (Also notice the fact that Batty and Beth share an initial.)

More credence can be given to the Batty/Beth theory if you consider the section in Little Women when Jo mistakenly thinks that Beth has fallen in love with Laurie. I was surprised by this scene when I read the book, because it’s such an interesting addition to the story. It is partly because Jo is hoping that Laurie will forget about her and focus on Beth that she leaves for New York, where she meets Professor Bhaer. Fascinatingly, you can compare this sequence of events directly to the Penderwicks series: Skye leaves her family (and Jeffrey) behind when she heads off to her California college, where she meets the intellectual foreign man whom she ends up marrying. Skye also harbors hopes that Jeffrey will end up caring for Batty instead of her.

Additional Observations

I had a major revelation during my reread of the book. A highly important order of events in Little Women were shifted for the ’94 film, influencing my own reaction to the story. In the book, Jo goes to New York, meets Professor Bhaer, and—upon her return—rejects Laurie’s proposal of marriage. In the film, the order is reversed (to the story’s detriment, in my opinion). I think the Jo’s coming-of-age character arc is much stronger in the book, leaving you with a better opinion of her marriage choice.

As much as I love the film, it still doesn’t quite capture the nuances of the story and characters that I love best. The March sisters are extraordinarily multidimensional, a fact that tends to get lost in adaptations that have to compress the story to adhere to a shorter length.

Here’s a Twitter thread that I created during my reread, with more notes that I took:

1 – There’s an interesting subplot in which Jo thinks Beth is in love with Laurie. What might have happened if this was true, and if Beth had lived and told Laurie about her feelings?

2 – In the second half of the book, the chapters about Meg feel disconnected from the rest of plot. Jo’s, Beth’s, and Amy’s stories weave seamlessly together, but Meg’s do not. I wish Meg’s subplots had been more vital to the overall plot.

3 – As soon as Professor Bhaer is introduced, it’s immediately clear that Jo will end up marrying him. What if there had been a third possible love interest thrown into the mix? Perhaps one of her editors? That might have been fascinating.

4 – Although Jo and Amy have a difficult time getting along throughout the novel, they are the sisters who are most alike. Both are highly independent and determined, and even Amy has some tomboyish aspects to her character. In personality, Beth and Meg are similar as well.

Not long ago, I read a review of Little Women in which the reviewer felt that the characters didn’t seem real to her…I was a little shocked. The Alcott sisters seem like some of the most realistic and relatable girls I’ve ever read about (and not surprisingly, since they were closely based on the author’s own family). The humor of their family life and foibles, particularly in the first half of the book, is so spot-on. For me, rereading the book was like reuniting with old friends—and I think many other readers feel the same way.

There is a new film version of the book out now—it premiered last Christmas. I have yet to see it, but I am looking forward to comparing it to the 1994 movie and to the novel itself. I have read about director Greta Gerwig’s careful attention to detail, her array of inspirations, and the unusual story structure that she chose for telling the story in a new way. I am curious to see how the new cast interprets the characters.

In my mind, films and radio dramas and audiobooks and illustrations—and yes, even sequels—are complementary aspects to the books themselves. They enhance and allow you to look at the story in a new way. But they can never take the place of the story itself. This story is one of the finest, and therefore, one of the hardest to improve upon.

[1] Jeanne Birdsall’s Frequently Asked Questions, www.jeannebirdsall.com/faqs

[2] The Betsy-Tacy Companion by Sharla Scannell Whalen, Portalington Press 1995, pg. 97

I’m always intrigued when the topic of re-reading comes up. Sarah Mackenzie at Read-Aloud Revival recently did a blog post/podcast about the importance of childhood re-reading, and I wholeheartedly agree with her assessment of its benefits and virtues. Sarah says:

A first read is a wonderful experience, indeed. But a second, third, or tenth time through offers riches that cannot be found any other way.

It surprises me when people say that they don’t often return to books they’ve read before, because I love revisiting old favorites… and not-so-old favorites! If I read a book and thoroughly enjoy it, I typically re-read it a few years later (or even sooner).

In fact, most of my childhood reading involved paging through my favorites for the thousandth time instead of (gasp) trying a new book. I’m a fairly choosy reader and I was even choosier back then, rarely venturing farther than my Noel Streatfeilds and American Girls and Saddle Clubs. (Speaking of American Girl, I’m in the mood to re-read a few of those mysteries; I have Secrets at Camp Nokomis on my desk. I don’t believe they’re publishing any new AG mysteries anymore, which is too bad – they were fun.)

There’s a select group of stories that I revisit constantly. These are the books that rarely sit for long before they get hauled out and re-read start to finish.

The list of “perfect re-reads” will be different for everyone, but this is my list of all-time favorite re-reads (which means they’re just my favorites in general) that I will continue to revisit industriously for … well, forever. 🙂

Maud Hart Lovelace’s Betsy-Tacy series, Emily of Deep Valley and Carney’s House Party

L.M. Montgomery’s Anne of Green Gables series, Pat of Silver Bush series (can’t I re-read these yet? I read them in autumn 2018… that was a long time ago!), Jane of Lantern Hill (pretty much every year), and the Emily of New Moon series

Anything Noel Streatfeild but particularly The Bell Family, Caldicott Place, Ballet Shoes, the Gemma series, Dancing Shoes, Theater Shoes, and The Magic Summer

Pollyanna and Pollyanna Grows Up by Eleanor H. Porter (These are the sort of books you have to re-read because you pick up different subtleties each time)

The Judy Bolton series by Margaret Sutton

Miracles on Maple Hill by Virginia Sorensen (I’ve technically never RE-READ this but I read some of it and didn’t finish it [2016], tried it again and loved it [2017], was in the mood to re-read it but instead listened to the whole thing on audio [2019] and I know I will revisit it again!)

From Anna and Listen for the Singing by Jean Little

Anything by Elizabeth Enright (I’ve read every single one of her novels and cherished each one. Time to re-read the Melendys again, right? No, not quite enough time has passed since I last went through the series…perhaps the Gone-Away Lake series! The last time I read the first book in the series was March 2018, that ought to have been long enough…)

What Katy Did and What Katy Did at School by Susan Coolidge

The Secret School by Avi

The Penderwicks series by Jeanne Birdsall (Let’s see, I read the first book in 2012 and re-read it in dribs and drabs for years and then read the whole thing again 2018 and listened to it on audio in 2019 and can’t I read it again yet??)

The Meg mysteries by Holly Beth Walker (I think it’s time to re-read The Treasure That Nobody Saw)

The Katie John series by Mary Calhoun

Hilda van Stockum’s Mitchells series, which are quite possibly the coziest re-reads you can imagine. I can’t tell you how many times I’ve re-read Friendly Gables, the third book in this unforgettably sweet trilogy. I think it’s time I finally tried her Bantry Bay series…I have never been able to convince myself that it will measure up. But maybe I will be proven wrong!

Because of Winn-Dixie by Kate DiCamillo

The Patty Fairfield series by Carolyn Wells (oh, these are such fun! And so…unbelievable! The first time I read the series, I tried to count how many marriage proposals Patty received, but it was a lost cause. The answer: far too many to count.)

Beverly Cleary’s Ramona series, but especially Ramona Forever

What books do you love to re-read? Which books are you always returning to? Leave a comment!

I’m eager to begin week two of my #SummerofVintageKidLit! If you haven’t yet heard about my summer reading challenge, you can take a look at my recent blog post that has all the details.

Last week we read The Four-Story Mistake, and you can read my quick recap in the comments of this post 🙂

The book we’re reading this week is Betsy and Tacy Go Over the Big Hill by Maud Hart Lovelace. It’s the third book in the beloved Betsy-Tacy series, and it’s definitely a fun one to revisit. I believe I was seven years old the first time I read it, and I was utterly enchanted by Betsy, Tacy, and Tib’s preparations for their “Queen of Summer” extravaganza. I hope you will enjoy it as well!

Here’s a summary about this book from Goodreads:

Betsy, Tacy, and Tib can’t wait to be ten. After all, getting two numbers in your age is the beginning of growing up–exciting things are bound to happen. And they do! The girls fall in love with the King of Spain, perform in the School Entertainment, and for the first time, go all the way over the Big Hill to Little Syria by themselves. There Betsy, Tacy, and Tib make new friends and learn a thing or two. They learn that new Americans are sometimes the best Americans. And they learn that they themselves wouldn’t want to be anything else.

Happy Reading! Feel free to discuss this book by leaving a comment below, or tweet about it using the hashtag #SummerofVintageKidLit! Or join my Facebook group to be alerted of all the latest posts.

Recently Read: A Name for Herself: Selected Writings: 1891-1917 by L.M. Montgomery, Winter Cottage by Carol Ryrie Brink, Time at the Top by Edward Ormondroyd

Currently Reading: The Secret of Crossbone Hill by Wilson Gage, Cobblers’ Knob by Eleanore M. Jewett